Dasein in a Space Station: The Conquest of Space and the Potentiality of Architecture
Abstract
The paper explores some aspects of astronautics’ influence on late-modernist architecture and its existential consequences. The astronautics’ technologies and many 1960s designs of futuristic cities shared a false sense that in the near future man would be able to live anywhere on Earth (underwater, in the desert) as well as in outer space. When Ron Herron envisages the Walking City as a group of lunar rovers, with no foundations, freely roaming the surface, a GIAP member, Paul Maymont designs an air-conditioned city on the Moon. Less known are similar concepts by the architects from the Central-Eastern Europe, such as the “spacesuit-isation” of public buildings presented by Polish architect Andrzej Frydecki at the Terra-1 International Exhibition of Intentional Architecture (Wrocław Museum of Architecture, 1975). The hermetic spacesuit, which was to control and maintain fixed vital parameters of the body during space flight, has provided a solution for the modernist tendency to hermetically seal the spaces of architecture. The house of the future was to resemble the spacecraft cabin, as if the modernist “machine for living” paradigm had been replaced by the idea of a survival capsule for interplanetary flight. A similar tendency can be found in the 1960s urban utopias; the cities of the future are often disconnected from the ground, as if the new civilization could not be rooted on Earth. The 1960s architectural question of “dwelling on the Moon” is confronted with Hannah Arendt’s and Martin Heidegger’s reflection that it is the earth, and not the universe, which is “the centre and the home of mortal men”.
Downloads
Published
Issue
Section
License
Authors who publish in this journal retain copyright and are required to grant a licence to the journal to allow distribution and reuse, as described in the following agreement.
Author’s grant of rights (Licence to publish):
The author grants to the Montreal Architectural Review the following:
1. An irrevocable non-exclusive right to reproduce, republish, transmit, distribute, and otherwise use the Work in electronic and print editions of the Journal and in derivative works throughout the world, in all languages, and in all media now known or later developed.
2. An irrevocable non-exclusive right to create and store electronic archival copies of the Work, including the right to deposit the Work in open access digital repositories.
3. An irrevocable non-exclusive right to license others to reproduce, republish, transmit, and distribute the Work in both print and electronic form under a Creative Commons Attribution-Non Commercial [BY-NC] Licence
Author’s retained rights:
The Journal provides Open Access to scholarly work and applies the Creative Commons licence to ensure access and free use. This agreement means that copyright in the Work remains with the Author and the Author retains the right to reuse the article. Provided proper attribution is given and the use is non-commercial, authors are encouraged to use the article in the following ways:
- to deposit the published version in institutional repositories or on a personal website
- to republish in a thesis or book
- to present the article at a meeting or conference
- to use all or part of the article for lecture or classroom purposes.